The Best Fish and Chips in London, By Category
From a 153-year-old Covent Garden chippy to Dover sole stuffed with lobster mousse at Clare Smyth's restaurant—London's fish and chips contains multitudes.
Written by AI. Mariel Fontaine

Photo: AI. Wren Sugimoto
Ask a Londoner where to get the best fish and chips in the city and you will not receive an answer so much as ignite a dispute. This is, it turns out, the correct starting point for any serious inquiry into the dish—because what you are actually asking about is not a single thing. You are asking about nostalgia, geography, class, technique, and the stubborn persistence of a meal that has outlasted empires and food trends alike.
Food creator Mark Wiens recently spent a full day working through London's fish and chips landscape with local expert James Dimitri—a man who has, by his own account, eaten at roughly 60 chippies over the past year and a half in the service of forming defensible opinions. Their approach was sensible: rather than crown a single champion, they organized the search into four categories. Historical. Traditional. Pub. Fine dining. Each category, it turns out, illuminates something genuinely different about what the dish can be.
The Historical Argument: Rock and Sole Plaice, Est. 1871
The oldest continuously operating fish and chips shop in London sits in Covent Garden, and the name is a pun—rock, sole, and plaice are all fish on the menu. Wiens ordered cod, rock fish, and haddock side by side, partly out of genuine curiosity and partly because that is the kind of person he appears to be.
The batter recipe is proprietary and old, which in this context means something. Every piece of fish is made to order—nothing sits under a heat lamp—and the portions are, by any reasonable standard, enormous. Wiens noted that cod, the canonical choice, delivers that particular combination of flaky flesh and crispy casing that defines the platonic version of the dish. The rock fish offered something different: a cottony, almost fluffy interior quite unlike the cod's stringy flake, wrapped in the same shattering batter.
The history lesson folded naturally into the setting. The Portuguese brought fried white fish to England in the 1600s; potatoes arrived from South America via Spain and Belgium around the same period. The two were not immediately combined—fried fish was originally paired with bread—but as Wiens observed, when two things are both cooked in hot oil, their eventual marriage is probably inevitable. Rock and Sole Plaice has been presiding over that marriage since it was the third fish and chips shop in London.
The Traditional Argument: Molesey Fish Bar
This is where the trip gets genuinely interesting, and also where it requires a ninety-minute drive out of central London. Dimitri insisted. He was right to.
Molesey Fish Bar is over a century old, has fryers that are themselves 51 years old, and—crucially—is one of only five establishments left in London still cooking in beef dripping. That last fact carries more weight than it might initially seem. Beef dripping, which is rendered beef fat, produces a flavor and aroma that vegetable oil simply cannot replicate. Dimitri described it plainly: "There's something nostalgic about it—it's kind of what chippies used to smell like."
The shop has no seating. You collect your order and walk across the street to the garden of a pub, which, as arrangements go, is not the worst. The fish—cod on the day of the visit, though it changes depending on what's fresh—was described by Wiens as tended to with genuine care: "They're not frying in big batches. They're not commercialized whatsoever at all. Every piece of fish is respected."
Dimitri also introduced a savaloy, a garlic-heavy sausage with a distinctly snapping casing that is popular in London and the south but essentially absent in the north—a reminder that "British food" is not a monolith any more than "fish and chips" is. The condiment protocol at a traditional chippy, Dimitri explained, runs as follows: tartar sauce with the fish, curry sauce with the chips. The curry sauce is not what you'd find in an Indian restaurant—it's a sweetish, sticky British chip-shop curry sauce, closer in spirit to Japanese curry than anything subcontinental.
The Pub Argument: The George, Great Portland Street
The George operates as a public house in the most considered sense of the term—it is positioned explicitly as an extension of domestic comfort, a place where the quality of the food and the quality of the pint are held to roughly equal standards of seriousness. Their fish and chips is made with haddock, battered to order, and arrives on a bed of chunky chips topped with what the kitchen calls scraps: the loose, irregular crispy bits that form when batter enters hot oil and fractures. These are not decorative. They exist to add texture and, arguably, to remind you that something genuinely hot and freshly made has just landed on your table.
Wiens found the batter at The George notably light—oil-repellent in the best possible way, holding its structure across multiple bites without collapsing. The mushy peas arrived with visible skins and a scent of mint, which apparently signals that you are dealing with young peas rather than the more starchy variety. The scotch egg, ordered as a starter, was wrapped in black pudding and minced pork and produced a properly runny yolk. This is the kind of detail that distinguishes a pub that has decided to take its kitchen seriously from one that has not.
The Fine Dining Argument: Corenucopia by Clare Smyth
Clare Smyth holds three Michelin stars. Her philosophy for approaching fish and chips at Corenucopia, as she explained to Wiens, was direct: "I thought I wanted to do British classics, but then I thought, well, I'm kind of known as a fine dining, three Michelin starred chef, so if I do fish and chips, it's going to be like the ultimate."
The execution involves Dover sole—a fish associated with luxury rather than the chippy—stuffed with lobster mousse, encased in beer batter, and fried until the exterior achieves the kind of crispiness that makes an audible sound when you cut into it. Triple-cooked chips arrive alongside. The potato menu is a framed album listing every variety on offer. The vinegar menu presents seven options, from classic malt to a Chardonnay vinegar and an ice cider vinegar made from apples picked frozen, which retains residual sugars and produces what the sommelier described as a toffee apple note.
Whether this constitutes the best fish and chips in London or the most expensive interpretation of an idea about fish and chips is a question worth sitting with. Smyth's stated intention—"doing a classic really well and elevating"—is coherent. What she is elevating is arguably not the dish itself but the ritual around it: the vinegar selection, the potato taxonomy, the theater of slicing open a piece of fish to reveal a lobster mousse interior. The dish is fish and chips in the same way that a Michelin-starred ramen is ramen. The soul is there; the context has changed entirely.
What the Categories Actually Reveal
The four-category framework is useful precisely because it resists the ranking impulse. Beef dripping at Molesey Fish Bar and lobster mousse at Corenucopia are not competing for the same diner. The person who drives ninety minutes to East Molesey because Dimitri vouches for it is making a different pilgrimage than the person booking a table at a three-star restaurant for a special occasion.
What does hold across all four stops is the insistence on freshness. Made to order, fried to order, served immediately—this runs through every category as a baseline standard rather than a selling point. The fish and chips that sits under a lamp, reheated and softened, is apparently a separate and inferior product that none of these establishments traffic in.
The dish's origins—Portuguese fried fish meeting Belgian-style fried potatoes on English soil sometime in the 1600s—also deserve more credit than they typically receive in conversations about British food. This is a meal assembled from immigrant culinary traditions, which makes the fervent British ownership of it either ironic or entirely fitting, depending on how you feel about cultural history.
What's clear, watching Dimitri work through his sixty-plus chippie research project with evident methodological rigor, is that the debate about the best fish and chips in London will not be settled by a four-stop tour. That's not a criticism of the exercise. It's the whole point.
By Mariel Fontaine, Travel Desk Editor
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